Within this project I explore my own body, recently injured, balancing between definitions of professional, intimate and dysfunctional bodies. To do this, I turn to the phenomenon of blue in the context of art and pop culture history, attempting to grasp the landscape of blueness scattered over the last century. Inspired by Maggie Nelson's “Bluets”, this dance essay as a set of meanings can be collected by viewers in their own way.

Video projections, music, body score develop simultaneously and independently, having their own dynamics and ways of reflecting on blueness, but meeting each other in the common time flow. Here I want to invite the audience to immerse themselves in this flux of time, offering the performance itself as a means to analyze their own time – time that they invested, time that is passing.